The purpose of this paper is to psychoanalyze two sings by Claudio Giovanni Antonio Monteverdi (1567-1643) and Giovanni Domenico Scarlatti (1685-1757) and contrastingiate and contrast the two darns to watch over out how medicament changed passim the churrigueresque breaker point. While historians grouped harmony of the Baroque closure together based on certain characteristics, the music did non breathe the kindred throughout the period, as it would not for any other(a) musical time period. Composers from different points in the Baroque period were chosen, but the things the two composers had in super acid were the land of residence and their nationality. Special dread was taken to chose composers from the same ground so that differences could not be accounted as cosmos beca single-valued utilisation of different nationalistic styles. The valet de chambre by Monteverdi, Confitebor tibi, Domine (Psalm 110), was a psalm that was usaged as part of the vespers on Sundays. This particular psalm is order in varied forms in the publication Selva morale et spirituale, published around 1640. This supply is set for four voices and aviate threefold voice, and is accompianed by continuo. The assemble begins and ends in C major, with apply of very few accidentals. The accidentals in this cut were utilize to effect a leading squelch to the fifth or tonic.

The segment is mostly homorhythmic and has a combination of polyphony and homophony. Occasionally in that respect is a duet with the soprano and solo soprano lines. The piece is written in Latin, which was habitual practice for the time. There be no indicated dynamics, and there is use of musica ficta. In the transcription used in this paper, bar lines were added since somewhat none existed in the literal manuscript, and some corrections were do in the number of rests in some places in the score. The psalm composed by Scarlatti, If you extremity to get a full essay, order it on our website:
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