Flannery OConnor uses violence to return characters to man and prep be them to don their hour of grace. The New Encyclopedia Britannica defines grace as the spontaneous, gratuitous pose of the divine or the divine influence operate in man for his regeneration and sanctification (401). At any cost, a thought must find repurchase. OConnor states, In my own stories I engage assemble that violence is strangely capable of returning my characters to reality and preparing them to accept their moment of grace (qtd.in Bain 407). Dorothy Walters, Associate Professor of English at Wichita allege University, believes OConnors single theme is the battle between immortal and the annoy dueling for the homosexual soul in the ancient clash (105). The flare of salvation through violent means is essential because both OConnor and her idol are ironists [unyielding] . . . her heros are willful characters who must be alter in learning that the will of God must prevail (Master-pieces 497). OConnor portrays twain varieties of sinners who feature either excessive pride or self-asserting atrocious traits. The price of redemption is high. OConnor violently shocks her characters, illuminates their shortcomings, and prepares them for redemption as seen in: A Good opus is fleshy to Find, Revelation, The River, and The Lame Shall unload First.

Walters reasons, The assertion of pride through lessons of humility is, in from each one story, the means by which the soul is prepared for its necessary luminousness by the Holy Spirit (73). The grandmother in A Good Man is Hard to Find and Rudy Turpin in Revelation is each convinced that she is a peeress of terrific statu s. When threatened by superior beings, thei! r self-imposed facades fall. infixed human weaknesses are not tolerated and the faulty soul is call down or violently returned to reality (Walters 72). Â Â Â Â Â Â Â Â In The Habit of... If you regard to desexualize a full essay, order it on our website:
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