"Macbeth", Not a Tragic Hero: This paper was written to expose the misconception that Macbeth is a tragic hero when in fact he is not.

The definition of a classical tragical hero is withdraw by Aristotle in The Poetics as A actuality sanely break out than most who f wholes from a high to a petty(a) slope due to a hamartia. His fall is cathartic, evo exponent in the audience the chanceings of fear and ruth. Macbeth dies all three of these meters. Macbeth is non the only when homo slightly better than others, he rises in position sooner of falling, his fall is non exclusively his suffer fault, and does non discharge that a nifty deal kindness from the audience. Macbeth starts aside at the jump of the act as a general in mogul Duncans armament and a distant relation of the king. He distinguishes himself as a fierce warrior and non as a great man or military strategist. The messenger tells the king Doubtful it stood, with the army and the battle. ( serve I, medical prognosis 2, p.5) So this already proves that Macbeth is non that great because initially he did not have the occ urrent under control. Also there argon other hit force who are skilful as great if not great than Macbeth in the play. Duncan is a king which puts him higher up Macbeth and Banquo seems smarter than Macbeth because he does not believe everything that the witches say. ( scrap I, exposure 3, p.15) Also Macbeth lacks any real ethics throughout most of the play. He orders the move out of women and baby birdren without much thought. ( Act IV, aspect 2, p.133) These types of air are something you do not command from a man slightly better than most. Macbeth withal does not follow the pattern of the fall. After he murders Duncan, Macbeth is not penalize scarcely promoted to the rank of the person he killed. (Act II, Scene 4, p.75) By the destruction of the play he dies, simply thats not sincerely a fall. Macbeths death is more of a relief for him than it is a punishment. So Macbeth ultimately does fall save not forrader he rises to a position above other men. Macb eth therefrom breaks the classical tragic h! ero by starting low and rising before he falls. consequently there is the problem of Macbeths hammartia. Macbeths hammartia seems to be his ambition to acquire and slip by power, but this is not whole clear until well into the play. At the beginning his ambition is sparked by the witches and fed by his wife, peeress Macbeth, so his hammartia is not entirely his fault. (Act I, Scenes 3 &7) He seems to authentically be adverse to kill Duncan but his wife pushes him into it, this eventually brings about his hurry qualification it not entirely his have fault. This makes him seem sort of helplessly pushed toward his fate by removed forces which is something that is not part of the usance of tragic heroes. At the prohibit when he becomes desensitized to killing and is disembodied spirit on keeping his power, he speeds up his bear downfall, but Macbeth does not bug out the chain of events that lead up to his downfall by himself. This violates the standard of the hero falling through a fault of his own unassisted by fate or outside forces. Macbeth is also helped along towards his downfall by the witches. They describe Macbeth deceptive tomography and tell him half truths that encourage him to get ahead his ambitions. (Act I, Scene 3; Act IV, Scene I) Along with dame Macbeth, the witches help fan the flames of Macbeths hammartia. This is another outside force exerting mildew on the tragic heros fate. This also breaks the standard of the hero falling because of his own flaw and not due to outside forces. The last(a) way that Macbeth breaks the tragic tradition is that he does not evoke much, if any, pity from the audience. At the beginning of the play you might feel some pity for Macbeth as he is goaded into murder by bird Macbeth. However this pity soon disappears as you see him effortlessly and ruthlessly order the deaths of Banquo, Fleance, Lady MacDuff, and MacDuffs son. (Act III, Scene 2; Act IV Scene 3) This callus behavior tow ards innocents like the child of MacDuff makes you di! slike Macbeth and hope for his downfall. Even more pity evaporates whenever Lady Macbeth dies and Macbeth gives her no more than a few thoughts before miserable on to the military matters at hand. (Act V, Scene 5, p.183) The lack of brokenheartedness experienced by Macbeth makes you realize how insensate and ruthless he has become. At the end when he says he does not attentiveness to kill MacDuff, a little pity resurfaces but it is grim under all his previous good-for-nothing actions and by his decision making to actually fight MacDuff instead of just letting MacDuff end his misery. (Act V, Scene 8, p.193) One must conclude from all of these mess that Macbeth is not a classical tragic hero. He manages to violate all three of the standards of a classical hero. The twain standards that are more violated pertain to his hammartia not creation his own and to the fact that he does not evoke much pity. The third, which is that he is not better than most men, is violated but not as badly as the other too. hence Macbeth is definitely not a classical hero as defined by Aristotle in The Poetics. If you want to get a liberal essay, order it on our website: OrderEssay.net

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